- Includes bibliographical references and index. - Foreword / Mark Tribe -- Prologue: Vertov's Dataset -- 1. What Is New Media? How Media Became New. Principles of New Media. What New Media Is Not -- 2. The Interface. The Language of Cultural Interfaces. The Screen and the User -- 3. The Operations. Menus, Filters, Plug-Ins. Compositing. From Image Streams to Modular Media. The Resistance to Montage. Archeology of Compositing: Cinema. Archeology of Compositing: Video. Digital Compositing. Compositing and New Types of Montage. Teleaction. Representation Versus Communication. Telepresence: Illusion Versus Action. Image-Instruments. Telecommunication. Distance and Aura -- 4. The Illusions. Synthetic Realism and Its Discontents. Technology and Style in Cinema. Technology and Style in Computer Animation. The Icons of Mimesis. The Synthetic Image and Its Subject. Illusion, Narrative, and Interactivity -- 5. The Forms. The Database. Navigable Space -- 6. What Is Cinema? Digital Cinema and the History of a Moving Image. The New Language of Cinema.
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